I’ve developed a methodology to create art by photographing, reprinting, and rephotographing images, transforming them into performative and static forms, immersive multimedia spaces, and multisensory experiences. 

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My work interconnects the iconographies, myths, and philosophies of African Diasporas, collapsing remnants of Latin and Anglo-Saxon categories to construct new sensorial worlds. I use multimodality to further affirm the inseparability of difference.

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My art explores sacredness, cultural estrangement, and transcultural (mis)translation, using organic and synthetic materials to examine how cultural signifiers are perceived across transnational contexts. Rejecting control or submission to materials, I draw on borrowed and experiential references, creating spaces where individual and collective bodies are fluid, porous, and self-defining.

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Guided by multiplicity—personal experiences, communal practices, and interdisciplinary training—I embrace unlearning, untraining, and undisciplining as an art practice.

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